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Home > Classic Movies > Musicals & Music > Les Demoiselles de Rochefort

Recommended Les Demoiselles de Rochefort

Jacques Demy, Agnes Varda, 1967

£18.39

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DVD Extras
  • Les Demoiselles ont eu 25 ans (64mins) - documentary by Agnes Varda mixing on-set footage, home movies and footage from the 25th Anniversary celebrations in Rochefort
  • Catherine Deneuve Guardian Interview (7mins)
  • Extracts from the Guardian Interview in which Catherine Deneuve talks about working with Jacques Demy and his influence on her career
  • Gene Kelly Guardian Lecture (20mins)
  • Audio extracts from Gene Kelly’s Guardian Lecture on the Hollywood Musical
  • Michel Legrand's score presented in uncompressed PCM.
Film Details

Director

Jacques Demy, Agnes Varda

Year

1967

Country

Europe, France

Cast

Catherine Deneuve, Michel Piccoli, George Chakiris, Françoise Dorléac

Technical Details

Certificate

PG

Length

126 mins

Label

BFI

Format

DVD Colour

Region

2

Aspect

2.35:1

Cat No

BFIVD770

Main Language

French

Star Review

F ollowing the rapturous reception accorded to his pop opera The Umbrellas of Cherbourg in 1964, Jacques Demy continued in the same vein with Les Demoiselles de Rochefort, which encapsulated his passion for the Hollywood musical, while also revealing him to be every bit as cinematically subversive as Truffaut and Godard. Indeed, this candy-coloured confection could easily be considered the last great film of the nouvelle vague.
For all its complexities, the plot is almost an irrelevance. Danielle Darrieux owns a café on the square in the coastal town of Rochefort, where twin daughters Catherine Deneuve and Françoise Dorléac teach music and dance to local kids while dreaming of making it big in Paris and finding the ideal man. Deneuve has a crush on artist Jacques Perrin (whom she has never met), while Darrieux loves the father of her young son, Michel Piccoli, who runs a nearby music store and is friends with celebrated American composer Gene Kelly – who falls for Dorleac.
The various romantic contrivances provide a convenient dramatic structure. But Demy is more interested in the bustle of life outside Darrieux’s window that centres on the fair that brings likely lads George Chakiris and Grover Dale to town. Consequently, peripheral characters break into dance steps as well as the principals, and this sense of spontaneity spills over into the songs, which Demy and Michel Legrand composed in the manner of Rodgers and Hart to flow naturally from the dialogue, so that speaking and singing became interchangeable.
The influence of Mamoulian’s Love Me Tonight and Minnelli’s An American in Paris is readily apparent, but this sly satire on Franco-American relations also shares a fondness for action on the edge of the frame with Jacques Tati’s Playtime. Far from being an outdated throwback, this is every bit as modern and audacious as 1967’s other major musical event, Sgt Pepper’s Lonely Hearts Club Band.

David Parkinson on 7th February 2008

View all 87 of David Parkinson’s reviews

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