Day of Wrath

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Film Description

Set in 17th century Denmark, this is a dark and powerful tale of love and betrayal within a community gripped by an obsessive fear of witchcraft. A priest tortures a confession out of an old woman, while his young wife meets and falls in love with the priest's son by an earlier marriage. It's seen by some as an allegory of the Nazi occupation of Denmark, while others read it it an indictment of male suppression of strong women. Undeniable though is the extraordinary emotional intensity achieved by superb performances and Dreyer's restrained and spare style.

Film Information

DVD Extras

The Fight Against Cancer (1947, 15 mins); A Castle Within a Castle (1955, 8 mins); Full feature commentary by Danish Dreyer expert Casper Tybjerg.

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Reviews & Articles

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Review by Graeme Hobbs on 1st March 2006

By Day of Wrath, Dreyer's cinematic world was one in which shadows have as tangible a presence as silence. From the shadows of leaves that flicker across Herlof's Marthe's face before she is burned as a witch to the shadows that briefly touch Anne's cheek as she summons her mother's supernatural power of calling, they are signs of foreboding and there's a sense that death is abroad in the land, casting its brief, fateful presence over people's lives.
It's set during the 17th century witch-hunts. A reverend, old Absalon Pedersson, has taken a lovely young wife, Anne, whose mother was suspected of witchery. Absalon spared the mother to gain the daughter. When Martin, Absalon's son by his first marriage arrives, Anne glimpses the possibility of the joy she's so far been denied.
Though her fate is circumscribed in a world of suspicion and righteousness, the scenes in which she tries her independence are memorable. Her confrontation of Absalon is invigoratingly powerful, and the noiseless, erotic slink with which she crosses the floor when he's out in the marsh is entrancing, the howling wind outside increasing the shell of silence inside.

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Article - "The Passion of Carl Theodor Dreyer" by Pasquale Iannone
Wednesday 15th February 2006

‘Just as one speaks about a person’s soul’ observed Danish director Carl Theodor Dreyer, ‘one may also speak of an artwork’s soul. The soul reveals itself in the style, which is the artist’s device for his understanding of the material.’
On the release of his fin...  View article in full

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This film is part of the following Customer Film Lists

Graeme Hobbs' Films Of The Year 2006 by Graeme Hobbs

Pasquale Iannone's Films Of The Year 2006 by Pasquale Iannone

Religion and Politics by Kevin Mullen

Two subjects that fascinate me, and I will stretch the categories to breaking point in making my choices.

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